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Caroline van der Elst

Caroline van der Elst (1966) was one of the first 8 students to be qualified to the ‘Post masters’ degree on the conservation of Paintings and Polychrome Sculpture (SRAL, 1995). Her specific interest lead her to further experience she gained by working mainly in and for national museums. Her ideal is working closely with an art historian or other scientist during the conservation of an object of art.

In this context she researched and published on various techniques of painters from the 15th century until the 20th century. Amongst other topics, she published on Daubigny’s working procedure, Van Everdingens workshop practice, Conservation and technique dilemma’s by Jan van Scorel, The production and construction of a 15th century altarpiece, the interdisiciplinary approach in the project Conservation of Modern Art, and so on. Her workshop is located in Hilversum, the Netherlands.

About the lecture

The Master of the Lamentation of Christ in Lindau, The Crucifixion, c. 1425 – Research and conservation

In her lecture, Caroline will explain the technical aspects that emerged during the restoration of The Crucifixion of The Master of Lamentation in Lindau (c. 1430). Discussions include the ethical and aesthetic aspects of the restoration of gold. Numerous research methods were used during the restoration, including dendrochronology, paint cross-sections, Macro-XRF, and IRR. The various components are discussed in her lecture.

A collaboration of Castle Huis Bergh with: